A barber-pole phaser for creating infinitely rising and falling atmospheres. While most (if not all) phasers feature fixed notches, our decoupled design provides unique modulation possible such as randomisation, skew and bouncing.

We met an interesting challenge with Transcendence where the client wanted an infinitely-decaying reverb, so I designed this architecture to allow maximal feedback gain without colouration.

Emulation of the Replicator tape delay guitar pedal. Probably my favourite coursework of the undergrad! This features a fractional delay that smoothly glides pitch as the animated tape reels speed up/down. Additionally: tape distortion with magnetic hysteresis, feedback filtering with clean and dirty tape head modes and chorus modulation.

An unreleased model of an AKG BX20 spring reverb. I built this during my placement year at The Dairy Studios by using multiple impulse response measurements of their unit for convolution. Additional vacuum tube drive was a fun addition.